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The earliest surviving original composition of Johannes Brahms, Scherzo, Op. 4 in E-flat minor, was composed in 1851 when Brahms was only 18 years old. This brilliant scherzo, with its two trios and a coda, remains one of Brahms's larger solo piano works. Internationally renowned concert pianist Joseph Banowetz edited this work with a special insight as one of his teachers, Carl Friedberg, studied with Clara Schumann, a close friend of Brahms.

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A chamber trio for Violin, Cello, and Piano by Johannes Brahms

The piano works of Johannes Brahms, Opus 76, in this collection include: No. 1, Capriccio * No. 2, Capriccio * No. 3, Intermezzo * No. 4, Intermezzo * No. 5, Capriccio * No. 6, Intermezzo * No. 7, Intermezzo * No. 8, Capriccio.

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A collection of exercises for French Horn composed by Johannes Brahms.

inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James, Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann...

Expertly arranged String Quintets for 2 Violins, 2 Violas, and Cello by Johannes Brahms from the Kalmus Edition series. This is from the Romantic era.

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The piano intermezzi by Brahms, some of his last compositions, are sets of independent character. Stylistically, they are lyrical and melodic, have an extremely wide emotional range, and are often considered some of the finest character pieces written in the 19th century. Includes: No. 1 in E-flat major * No. 2 in B-flat minor * No. 3 in C-sharp minor.

The Variations on a Theme of Paganini are a set of theme and variations for solo piano, written by Johannes Brahms (Op. 35). The theme that is the basis for the work is that of the Caprice No. 24 in A minor by Niccolò Paganini.

The piano works of Johannes Brahms, Opus 118, in this collection include: No. 1, Intermezzo * No. 2, Intermezzo * No. 3, Ballade * No. 4, Intermezzo * No. 5, Romance * No. 6, Intermezzo.

Brahms was extremely fond of Johann Gottfried Herder's folk poetry collection Stimmen der Völker in Liedern (Voices of Nations in Songs) and based the Ballade, Op. 10, No. 1 on the 'Edward' ballade from this poetry collection. The remaining three Ballades of Op. 10 have no direct reference to the performer to develop a greater understanding of the individual pieces and their relationship to each other when performed as a set.

The charming Liebeslieder Waltzer, or Love Song Waltzes, by Johannes Brahms have remained favourite repertoire for singers and audiences alike, being both accessible and rewarding to perform. This edition of his first collection, Op. 52, has been arranged for SAB choirs, with fewer lower voices. It has lively English translations which follow the meaning and spirit of the original German texts as closely as possible whilst respecting the rhyme...

The charming Liebeslieder Waltzer, or Love Song Waltzes, by Johannes Brahms were immediately so popular with singers and audiences that Brahms composed a second collection. This edition of that collection, the equally lovely Neue Liebeslieder, or New Love Songs, has English translations which follow the meaning and spirit of the original German texts as closely as possible whilst respecting the rhyme structure and metre of the poems. They are ...